[
 {
  "_说明": "B 层（品牌后继 1957-今）各季夹与 Christian Dior 本人（1946-1957）语汇的关联索引。",
  "_判断性质": "策展判断：依据抽样看图 + 时装史通识归纳，供快速检索，非逐 look 文献级考据。",
  "_本人签名元素参照": [
   "Bar 套装（细腰+A 字裙）",
   "New Look 大摆",
   "铃兰 muguet",
   "千鸟格",
   "蝴蝶结",
   "Toile de Jouy 印花",
   "灰粉/象牙色",
   "高定工艺的复合衬"
  ],
  "_人类可读版": "B_品牌后继_与克里斯汀·迪奥的关联.md"
 },
 {
  "season": "DIOR_2004FW",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "New Look 式鱼尾晚装骨架",
   "千鸟格与格纹花呢"
  ],
  "note": "抽样图像为东方异域叙事（黄绿皮草领刺绣长大衣+豹纹雪纺鱼尾裙）：戏剧化拼贴压过日常性，但晚装仍以收腰长裙骨架承继本人的结构语法。"
 },
 {
  "season": "DIOR_2005FW",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "帽饰文化（本人「无帽不成衣」信条的回声）",
   "粗花呢套装"
  ],
  "note": "抽样图像为 60 年代 Mod 风：条纹毛衫+白色大衣+皮质贝雷帽。与 New Look 决裂明显，是 Galliano 时期离本人语汇最远的一季之一。"
 },
 {
  "season": "DIOR_2005SS",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "1940 年代末肩线与铅笔裙（创业期语汇）"
  ],
  "note": "春夏 RTW 转向轻快复古拼贴，Bar 廓形弱化为点缀——可对照本人 1947-49 的松弛化尝试。"
 },
 {
  "season": "DIOR_2006SS",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "蜂腰 A 字裙",
   "灰粉/象牙色"
  ],
  "note": "怀旧叙事下回归柔和蜂腰，裙长与裙摆再次援引 50 年代比例。"
 },
 {
  "season": "DIOR_2007FW",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "Bar 式收腰外套",
   "千鸟格"
  ],
  "note": "40 年代黑色电影风叙事：束腰外套与铅笔裙重回主位，直接引用本人创业年代的着装记忆。"
 },
 {
  "season": "DIOR_2008SS",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "Corolle 花冠袖型实验",
   "蝴蝶结"
  ],
  "note": "春夏季以装饰性细节（蝴蝶结、缎带）延续巴黎式柔美，与本人 1952 起的松弛化路线相映。"
 },
 {
  "season": "DIOR_2008FW",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "New Look 大摆晚装",
   "高定复合衬的结构感"
  ],
  "note": "秋冬晚装重拾大摆体积——复合衬撑起的裙型是本人高定工艺的直接后裔。"
 },
 {
  "season": "DIOR_2009SS",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "蜂腰长裙",
   "灰粉/象牙色"
  ],
  "note": "色调回归本人爱用的灰粉/象牙系，裙装比例明显向 1950s 校准。"
 },
 {
  "season": "DIOR_2009FW",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "1940 年代束腰外套",
   "千鸟格"
  ],
  "note": "战时-战后叙事直接引用本人创业年代的着装记忆，束腰短外套即 Bar 套装上装的变体。"
 },
 {
  "season": "DIOR_2010SS",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "蜂腰 A 字裙",
   "蝴蝶结"
  ],
  "note": "春夏以轻盈蜂腰与缎带装饰延续品牌柔美语汇。"
 },
 {
  "season": "DIOR_2010FW",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "Bar 式套装",
   "灰粉/象牙色"
  ],
  "note": "秋冬 RTW 再次校准 50 年代比例，收腰外套+及膝裙的组合近乎 Bar 套装成衣化。"
 },
 {
  "season": "DIOR_COUTURE_2004SS",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "Corolle 花冠线的金色浮夸化",
   "高定复合衬"
  ],
  "note": "埃及主题高定：Galliano 用本人的长裙骨架承载戏剧化叙事，是「用 1947 的语法讲异国故事」的典型。"
 },
 {
  "season": "DIOR_COUTURE_2010FW",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "Tulipe（1953 郁金香线）的花冠体积",
   "花瓣铺陈=Corolle（花冠）的字面复刻",
   "灰白/淡紫（本人爱用色）"
  ],
  "note": "抽样图像：巨型花朵布景+花瓣铺成的郁金香形短裙——对本人「我设计花一般的女人」宣言的字面回归。"
 },
 {
  "season": "DIOR_2011SS",
  "director": "John Galliano",
  "director_tenure": "1996 受聘 / 1997-01 首场高定 / 2011-03 离任",
  "founder_echo": [
   "蜂腰长裙"
  ],
  "note": "Galliano 时期最后一场 RTW（2010-10 发布；次年 2 月丑闻离任）。「一季一叙事」的发布机制由本人创立，至此已制度化到不以设计师去留为转移。"
 },
 {
  "season": "DIOR_COUTURE_2012SS",
  "director": "Bill Gaytten",
  "director_tenure": "2011-2012 过渡期 head designer",
  "founder_echo": [
   "蜂腰高定骨架的惯性延续"
  ],
  "note": "Galliano 离任后的过渡高定（2012-01）：叙事涣散、评价平平——反向印证本人创立的「总监即叙事」机制的分量。"
 },
 {
  "season": "DIOR_2012FW",
  "director": "Bill Gaytten",
  "director_tenure": "2011-2012 过渡期 head designer",
  "founder_echo": [
   "New Look 式晚装的保守延续"
  ],
  "note": "Gaytten 的最后一场 RTW（2012-03）；同年 4 月 Raf Simons 受聘，7 月即以花墙高定首秀回望 New Look。"
 },
 {
  "season": "DIOR_2013SS",
  "director": "Raf Simons",
  "director_tenure": "2012-04 受聘 / 2012-07 高定首秀 / 2015-10 离任",
  "founder_echo": [
   "Bar 套装的极简转译",
   "A 线的现代重置",
   "千鸟格"
  ],
  "note": "Simons 首个 RTW（2012-09）。抽样图像：锋利极简黑西装+浅粉纱幕布景——把高定剪裁内部化、去戏剧化，是「New Look 日常化」的当代解法。"
 },
 {
  "season": "DIOR_2013FW",
  "director": "Raf Simons",
  "director_tenure": "2012-04 受聘 / 2012-07 高定首秀 / 2015-10 离任",
  "founder_echo": [
   "蜂腰连衣裙的现代重写",
   "复合衬工艺的内敛运用"
  ],
  "note": "秋冬延续「档案剪裁 × 现代衣橱」的双重语法，结构内收而外形克制。"
 },
 {
  "season": "DIOR_2014SS",
  "director": "Raf Simons",
  "director_tenure": "2012-04 受聘 / 2012-07 高定首秀 / 2015-10 离任",
  "founder_echo": [
   "A 线与 H 线的结构实验",
   "灰粉/象牙色"
  ],
  "note": "春夏以建筑感廓形重访本人的字母线谱系（A/H 均出自 1954-55），色彩回到本人爱用的浅淡系。"
 },
 {
  "season": "DIOR_2014FW",
  "director": "Raf Simons",
  "director_tenure": "2012-04 受聘 / 2012-07 高定首秀 / 2015-10 离任",
  "founder_echo": [
   "New Look 大摆的体积研究",
   "千鸟格"
  ],
  "note": "秋冬对大摆体积做当代化控制——不复古复制，而以面料与工艺重算裙摆的物理量。"
 },
 {
  "season": "DIOR_2015SS",
  "director": "Raf Simons",
  "director_tenure": "2012-04 受聘 / 2012-07 高定首秀 / 2015-10 离任",
  "founder_echo": [
   "Bar 廓形的总结式呈现",
   "铃兰白"
  ],
  "note": "Simons 任内最后一场 RTW（同年 10 月离任），以最克制的白/浅色系完成对品牌基线的告别陈述。"
 },
 {
  "season": "DIOR_2017SS",
  "director": "Maria Grazia Chiuri",
  "director_tenure": "2016-2025（首位女性创意总监）",
  "founder_echo": [
   "A 线的运动化解构（击剑外套）",
   "蝴蝶结"
  ],
  "note": "Chiuri 首秀（2016-09，「We Should All Be Feminists」）：以女性主义重述品牌，剪裁上以 A 线代替 Bar 的收腰——对本人廓形谱系的「去束腰」续写。"
 },
 {
  "season": "DIOR_2017FW",
  "director": "Maria Grazia Chiuri",
  "director_tenure": "2016-2025（首位女性创意总监）",
  "founder_echo": [
   "工坊手稿/纸样文化的显性化",
   "蓝白工房色系"
  ],
  "note": "蓝图印花把「幕后手稿」推上前台——呼应本人以插画师入行的出身与品牌的手稿传统。"
 },
 {
  "season": "DIOR_2018SS",
  "director": "Maria Grazia Chiuri",
  "director_tenure": "2016-2025（首位女性创意总监）",
  "founder_echo": [
   "薄纱大摆裙（New Look 晚装的轻量化）",
   "灰粉/象牙色"
  ],
  "note": "春夏以纱与刺绣做轻量大摆，色彩回到本人调色板的两端（象牙与灰粉）。"
 },
 {
  "season": "DIOR_2019FW",
  "director": "Maria Grazia Chiuri",
  "director_tenure": "2016-2025（首位女性创意总监）",
  "founder_echo": [
   "千鸟格回归",
   "Bar 式束腰夹克"
  ],
  "note": "秋冬让品牌格纹与束腰夹克回到台前，是一次显性的档案调用。"
 },
 {
  "season": "DIOR_2020SS",
  "director": "Maria Grazia Chiuri",
  "director_tenure": "2016-2025（首位女性创意总监）",
  "founder_echo": [
   "蜂腰连衣裙",
   "铃兰色系"
  ],
  "note": "春夏以连衣裙为核心品类——正是本人 1947 年以「ensembles 成组造型」确立的品牌主业。"
 },
 {
  "season": "DIOR_2022FW",
  "director": "Maria Grazia Chiuri",
  "director_tenure": "2016-2025（首位女性创意总监）",
  "founder_echo": [
   "紧身胸衣/复合衬语汇的解构（busk 式前襟）",
   "50 年代伞裙骨架"
  ],
  "note": "抽样图像：黑色胸衣式夹克+百褶伞裙。评论界普遍解读为向 Marc Bohan 时期致敬——间接接回本人奠定的优雅准则。"
 },
 {
  "season": "DIOR_2024SS",
  "director": "Maria Grazia Chiuri",
  "director_tenure": "2016-2025（首位女性创意总监）",
  "founder_echo": [
   "金线刺绣（高定工艺的 RTW 化）",
   "蝴蝶结"
  ],
  "note": "春夏把高定刺绣密度下放到 RTW，延续品牌「工艺即奢侈」的本人式信条。"
 },
 {
  "season": "DIOR_2025FW",
  "director": "Maria Grazia Chiuri",
  "director_tenure": "2016-2025（首位女性创意总监）",
  "founder_echo": [
   "褶饰领巾/jabot 衬衫语汇",
   "档案感花呢"
  ],
  "note": "Chiuri 任内最后一场 RTW。抽样图像：花呢外套+黑色 jabot 褶饰+九分裤的中性化重写——古典语汇进入无性别衣橱。"
 }
]